This article examines monidła as a visual form in 20th-century Poland, revealing its cultural significance and production practices.
The aim of this article is to examine monidła as a widespread yet poorly documented visual and vernacular form, characteristic of Polish everyday culture in the twentieth century. The text focuses on the conditions of their production, modes of distribution, and patterns of use within the domestic space.
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Alicja Kowalska (2026) studied this question.
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