Answers are grounded in this paper and cite their sources.
In Tanzania, a tension exists between the persistence of the “primi-tive” and “erotic” stereotype of African performance and the emergent means of representing culture and gender on the dance stage. This tension leads to a complex process of inventing, counterinventing, and reinventing tradition.
No takes yet. Share an insight, caveat, or question.
Laura Edmondson (2001) studied this question.
Synapse has enriched 10 related papers. Consider them for comparative context: