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The Introduction falls into three sections. The first presents the historical context for the collection and the themes that unite the articles, and provides summaries for each of the articles. The second section deals with the complex web of terminology surrounding ‘library music’, in its historical, theoretical, and practical aspects, with an emphasis on the implications of digital technology. The final section reviews the academic literature about library music, considered from the perspectives of categorisation and tagging, industry and labour, television studies, and historical approaches.
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Deaville et al. (2024) studied this question.
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