Music research aims at developing a research space that, in a proactive sense, can support the development of creative and cultural industries. In that context, we argue that a focus on users and their experiences in using tools may become more important in music research. It implies an expansion of the traditional methods of music psychology with methods that can address relevant features of musical action and musical tool use. This paper discusses epistemological and methodological issues related to this development.
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Leman et al. (2010) studied this question.
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