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This paper explores how Nigerian hip hop music, lyrics, and histories illuminate connections and relationalities, intimacies, and articulations, among and across African and African diasporic communities. Drawing on the works of Lisa Lowe, Stuart Hall, Paul Gilroy, Katherine McKittrick, and others, I demonstrate how these intimacies and articulations allow us to reimagine hip hop, focusing not on origins or beginnings (or African American authenticities) but instead as an expressive transnational mode of cultural production. In this way, I discuss the significance of Black politics in popular music and foreground how intimacies and articulation produce new ways of theorizing race.
Adesoji Babalola (2023) studied this question.