As a genre, science fiction productions — whether cinematic or literary — are based on earthly narratives of colonization. The imaginative impulse informing its productions takes from and revises earth history, putting it out there in a (de)familiarized but cognitively plausible and contextually recognizable "future." There are three basic models of science fiction colonial narratives — the explorative, domesticative, and combative — each of which represents a progressive stage in a continuum motivated by more efficient means of colonization. Most contemporary science fiction productions are of the combative model, which reveals a postmodern penchant for deflating space and collapsing time, for making the alien familiar and the familiar alien, the universe known and mapable. The article examines a number of earthly colonial narratives, early and recent science fiction films, and schemes for colonizing the universe found on the Internet.
No takes yet. Share an insight, caveat, or question.
Greg Grewell (2001) studied this question.
Synapse has enriched one closely related paper. Consider it for comparative context: