This speculative essay is a call for further research and the beginning of a long overdue conversation among historians of the Middle East about the importance of sounds and soundscapes in studying history. In the process, I will suggest some research strategies for uncovering the sounds and noises of the past – especially before the introduction of recording technologies. All the while, I hope to encourage more multidisciplinary conversations by Middle East historians with other scholarly disciplines that examine sound and listening.
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Ziad Fahmy (2013) studied this question.
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