On Dicentization

Diverse phenomena in sociocultural life are analyzed with recourse to P eirce's concept of the dicent interpretant. Attention to the semiotic role of the interpretant, itself a sign that articulates with connected signs in the generative process of semiosis, contributes to expanded understanding of ritual and attendant anthropological objects. I discuss how semiotic ideology makes possible, and makes real, a particular transformation of potentials of form expressed as likenesses into actual existents represented as contiguities. I develop an indexical treatment of such transformations that I label dicentization. Indexicality and iconicity have become central to linguistic anthropology and dicentization offers an account of how they work together beyond language in cultural semiosis. The article generalizes and applies the resulting explanatory model to a range of social phenomena described in the literature, including Aboriginal Australian iconography, Medieval Japanese asceticism, Homeric and Freudian psychologies of rage, and traps and primitivism in African and modern art. The analysis contributes to a semiotic realist conception of the continuity of representation and reality.