The philosophy of the Total Appearance concept and its application to the measurement of scenes have been described in Part I of this article. The part played by the concept in the creation of images is now outlined with respect to six real scenes. Widely different types of scenes are described in terms of the images that might be engendered in the perceiver. The sources of these images are traced in terms of the properties of the scene and the characteristics of the perceiver.
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J. B. Hutchings (1995) studied this question.
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