This paper examines the transformations of contemporary cultural policy in the Russian Federation on three basic levels: organizational, politico-discursive, and legislative. It also establishes the continuity and differences in that policy vis-à-vis the Soviet period. The principal thesis of this article is that the organizational behavior of the state sector of cultural policy currently seeks to reproduce the model that emerged in the final period of the USSR’s existence. State cultural organizations competing for state resources publicly demonstrate ritualistic ceremonial behavior in relation to political discourse and the established legal system, but at the same time avoid direct ideological instrumentalization of their activities, while seeking to support, update, and expand their network.
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Vitaly Kurennoy (2021) studied this question.
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