This performative autoethnographic piece plays in the liminal spaces between the critical and lyrical, etching risky scriptings of love and hope in a world that’s turned dark and dangerous. Watch me, she says, as she dances through words and meaning, in some wilful act of autoethnographic process and product that skirts the traumatic and ecstatic both.
Donna F. Henson (Mon,) studied this question.
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