This essay explores Herskovits's neglect of oil field labor in Trinidad, suggesting alternate anthropological insights.
In June 1939, Melville Herskovits arrived in Trinidad. Already committed to his eponymous thesis of African cultural survivals, he identified the rural municipality of Toco as a site to observe "African ways of life … in greatest purity." The oil field strikes that gripped the island just two years earlier received only a passing mention in his monograph, Trinidad Village. This essay meditates on Herskovits's field notes to consider how a Boasian cultural paradigm compelled Herskovits to exclude the oil field labor from his study. Still, he is aggravated throughout by oil troubles of his own. Vexed by a faulty gasoline generator, Herskovits used his field diary to document his frustrated efforts to record audio of Shango songs in Toco. Engaging in a counterfactual thought experiment in which Herskovits pursued the aftermath of the oil field strikes as his object of study, this essay considers how Herskovits could have charted a distinct ontological ground for discipline of anthropology.
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Ryan Cecil Jobson (2023) studied this question.