This article examines theoretical problems in Uzbek and world dramaturgy, suggesting new insights into aesthetics.
This scientific article examines the general theoretical problems of Uzbek drama of the period of independence. The subject area of Uzbek dramaturgy, theoretical problems of dramaturgy, theoretical aspects of world dramaturgy, in particular, French, German, Spanish and Italian dramaturgy, are subjected to comparative analysis.
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Вазирахон Ахмедова (2026) studied this question.
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