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This paper addresses images of the mechanical-flâneuse as the efficient modern woman at work in the 1920s and 1930s. To do so the characteristics of flânerie, traveling theory, and concepts of self-presentation are explored in relationship to the concurrent and transcultural influence on occupation and fashionable appearance of interest in Taylorism in the USA, USSR and Italy.
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Jon Cockburn (2015) studied this question.
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