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This article departs from the observation that in many living rooms of elderly Kinois (inhabitants of Kinshasa), old and defunctive radio and television sets are put on display. When their primary function, to inform, has been rendered obsolete, we are faced with the question why people continue to display these objects, often next to newer models, in their living rooms. The main argument is that Information and Communication Technologies (ICT) commodities, old and new, defective and repaired, are primarily social objects that are embedded in complex webs of practices and expectations which unsettle the taken-for-granted associations between technology and time. ICT objects are shown to be metonyms of dynamics in social relationships between owners of these ICT goods and others; and, although seemingly paradoxically, these same objects, even when damaged, inhabit promises for a better future. The article thus offers an alternative perspective on electronic modernity, and in particular, the role of Africa therein.
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Katrien Pype (2016) studied this question.
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