Key points are not available for this paper at this time.
While walking has long been implicated in ethnography and arts practice, in recent years it has become increasingly central as a means of both creating new embodied ways of knowing and producing scholarly narrative. This introduction explores this cross-disciplinary coalescence of interest in peripatetic practice. It raises a series of questions inspired by the walking/arts event, which was the starting point for this collection, as well as by the articles and works published in this special issue.
Pink et al. (Tue,) studied this question.