Meandering critically through Gibanica: Notes from a critique workshop

Ana Letunić; Ana Pinter; Elena Novakovits; Gregor Sirotić Marušić; Igor Burić; Karolina Bugajak; Marina Srnka; Nefeli Gioti

doi:10.1386/maska_00240_7

March 1, 2026Maska

Meandering critically through Gibanica: Notes from a critique workshop

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Key Points

To reflect on the discussions and critiques that emerged during the Gibanica Biennial of Slovenian Contemporary Dance Art.
Conducted a critique workshop after the biennial event.
Facilitated by Bojana Cvejić in collaboration with Maska Institute and the Contemporary Dance Association of Slovenia.
Generated insights for future editions of Gibanica.
Contributed to the ongoing dialogue in contemporary dance within Slovenia.

Implication

Workshop examines critiques from the Biennial of Slovenian Contemporary Dance Art, suggesting insights for future events.

Abstract

This text was conceived as an aftermath of the 2025 Biennial of Slovenian Contemporary Dance Art–Gibanica (https://gibanica.info/en/gibanica-biennial-of-slovenian-contemporary-dance-art), led by Bojana Cvejić and organised in collaboration with Maska Institute and the Contemporary Dance Association of Slovenia.

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Cite This Study

Letunić et al. (2026) studied this question.

synapsesocial.com/papers/6a2115bdd499ed480b16ecde https://doi.org/10.1386/maska_00240_7

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Meandering critically through Gibanica: Notes from a critique workshop

Key Points

Implication

Abstract

Discussion

Cite This Study

Meandering critically through Gibanica: Notes from a critique workshop

Key Points

Implication

Abstract

Discussion

Cite This Study

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