In this article I shall argue that the categories a subject employs to codify her perceptions are emergent elements of the social niche her community inhabits. Hence, I defend the claim that categories are primarily elements of the social ontology a certain subject experiences. I then claim that public representations (e.g. icons) shared in a social niche play a crucial regulative role for the members of that community: in fact, they offer a rule (a canon) to conceive a certain type or a certain category, e.g. ‘movement’, ‘time’ or ‘space’. In this sense, categories function as normative elements.
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Francesco Consiglio (2021) studied this question.
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