Compositionwork: A Method for Self-Investigation

This article presents compositionwork as a method based on dialogical self theory, according to which the self is understood as a multiplicity of I-positions (different sides of the self) in the landscape of the mind. The person making the composition uses language and stones to represent relevant I-positions of her- or himself self, thus externalizing these and creating a personal landscape of mind. As a result a meta-position is taken to this landscape, which facilitates its overview and understanding and may stimulate its further development. The method relates to the two basic dimensions of the self: verbal/reflexive and nonverbal/sensory, the integration of which forms an optimal condition for the development of the self. The idea of representing I-positions by using stones is inspired by Japanese rock gardens, which often represent the organization or development of the self. By their abstract and sensory quality, stones help to evoke and symbolize nonverbal aspects of the I-positions. First, we present the theoretical concepts relevant for compositionwork, and then we elaborate on the meaning of Japanese gardens as a representation of the mind and the use of stones as symbols. Finally, we present the method itself and examples of its application.