Choreographies of Immobility: Life Stories and Labour Migration in a Neoliberal Performing Arts Market

This contribution engages with perspectives, concerns and experiences of artists who staged either their own life stories or the life stories of others. At its core, it challenges the idea that staging a life story is solely an empowering, self-enabling and emancipatory aesthetic practice. By analysing two choreographies and their respective working conditions, as well as an interview with one of the choreographers, this article reflects on the commercialisation and neoliberal extraction of personal life stories. Further, this contribution revisits the concept of ‘cultural mobility’ with two case studies. The first one, mi vida en tránsito (2022), draws on the precariousness and vulnerability experienced in times of professional mobility in the Central European dance scene. Overseas (2022), the second case study, criticises the Eurocentric assumption that mobility is equally distributed across the globe. To analyse both case studies, this article establishes ‘cultural immobility’ as a scholarly perspective on how immobility relates to the production, performance, practice and circulation of cultural artefacts and artistic works.