This article reconsiders Australian architecture's cultural exchanges with Asia, highlighting significant transnational influences.
This article reframes the “Sydney School” discourse within a transnational context of Australian architectural engagement with Asia from the 1950s to the 1980s. Rather than defining the movement through its familiar stylistic traits, the article argues that these characterisations have obscured a deeper intellectual transformation driven by direct encounters with Asian architectural traditions and philosophy. Drawing on newly accessible archival material from the State Library of New South Wales, the article reconstructs the extended cultural immersions of Adrian Snodgrass and his network. It traces Snodgrass’s engagement with Hindu and Buddhist thought in Ceylon and Japan, Alan Gilbert’s commissions in Hong Kong and China, and Peter Muller’s collaborations in Bali and beyond, to argue that these cases reveal a gradual but profound shift from Western interpretations of Asian architecture toward authentic cultural exchange. By foregrounding these transnational networks, the article calls for a fundamental rethinking of late twentieth-century Australian architectural historiography.
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Srivastava et al. (2026) studied this question.
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