Short Description (EN) A conceptual and experiential exploration of divinity as an inner reality that can be conceived only through direct experimentation. The text argues that belief is insufficient and that becoming divine requires a progressive process of resonance, recognition, and transformation. It presents divinity as an innate animating presence that attracts the individual as they advance through the field of animation, ultimately revealing immortality as a functional state of consciousness. Abstract (EN) This work examines the transition from belief to conception in the realization of inner divinity. It argues that divinity cannot be understood intellectually but must be experienced and embodied through a progressive process of resonance and transformation. The text describes divinity as an animating presence within each individual, accessible through direct experimentation rather than faith. It proposes that immersion in the field of animation enables the I to acquire the qualities of immortality, reframing death as a functional necessity within a broader ontological process. The work contributes to The Liminal Field by outlining a model in which divinity emerges through conception, resonance, and the gradual transfiguration of consciousness. OpenAIRE Description (EN) This work develops an ontological model of divinity based on the distinction between belief and conception. It argues that divinity is not a symbolic or metaphysical construct but an inner animating presence that becomes accessible only through direct experiential processes. The text describes a progressive path in which the individual identifies, approaches, and resonates with their inner divinity, leading to a transfigurative state of consciousness. Death is reframed as a functional mechanism within a broader evolutionary cycle, while immortality is presented as a state already inherent within the individual but not yet conceived. The work contributes to The Liminal Field by articulating a conception‑based ontology of divinity grounded in resonance, animation, and the emergence of eternal presence. Extended Description (EN) The Liminal Field: Credere nella credenza explores the transition from belief to conception as the essential process through which divinity becomes real within the individual. The text argues that belief—understood as adherence to a concept—cannot reveal the nature of divinity. Only conception, defined as becoming and being, allows the individual to access the divine presence within themselves. The work begins by redefining the I as an animated being whose inner animator is the source of divinity. Although human existence appears mortal, the text proposes that immortality is already present within the individual as an inherent state of being. The challenge lies in conceiving this state through direct experimentation rather than relying on inherited beliefs. Divinity is described as a presence that attracts the individual as they progress along a path of resonance. This path is not mystical but functional: each step of conception transforms the I, enabling it to approach and eventually embody the divine state. The text emphasizes that transfiguration is not a miraculous event but the result of sustained engagement with the field of animation, where the I gradually acquires the qualities of the field it traverses. The work reframes death as a functional necessity within an ontological cycle. Those who have not yet conceived their inner divinity must return to complete the process, while those who have immersed themselves in the field of animation achieve immortality as a state of consciousness. The text concludes by presenting divinity as the culmination of a progressive path in which conception, resonance, and animation converge to reveal the eternal nature of the I.
Oliva FMOO (Sat,) studied this question.