Argues for a phenomenological understanding of creative practice in art-making, highlighting disappearance.
This paper argues that in the process of art-making, the artist disappears. It charts the creative process of taking street photography and writing poetry, making the point that the process flows from serendipity to dialogue, and finally to a condition of disappearance. By engaging with the writings of T. S. Eliot, Roland Barthes, Sophie Calle and Maurice Blanchot, it argues for an applied phenomenological understanding of creative practice.
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Eddie Tay (2026) studied this question.
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