Transcendence: The Ninth Harmonic Condition is the ninth essay in the PH-Series — Philosophical Essays on the Harmonic Conditions. It follows the passage from unity into transcendence and examines the conditions under which relation, once made habitable, may become light enough to continue without abandonment, dissolution, exposure, or departure. The essay distinguishes transcendence from escape, disappearance, weightlessness, exposure, and freedom understood merely as departure. Transcendence is treated not as ascent beyond the world, rejection of form, or dissolution into pure openness, but as the lowering of unnecessary force in forms that remain answerable. The work develops transcendence through several linked thresholds: the shared room after unity, the refusal of escape, the persistence of form after release, lightness without loss, clarity without exposure, freedom without departure, the human consequence of lowered self-defence, and the ninth passage in which relation becomes light enough to continue. The essay gives particular attention to form, relation, boundary, memory, lightness, clarity, freedom, reserve, work, name, voice, room, threshold, and continuation. It argues that a form becomes transcendent not by leaving the world or abandoning contour, but by remaining in relation after excess force has lowered. Transcendance becomes faithful where the hand can open without abandoning the table, the work can rest without being lost, the name can be spoken without armour, and the world remains without being held as prison.
Vien Nguyen Son (Mon,) studied this question.