This paper investigates the relationship between iconicity and arbitrariness in the comprehension of idioms in Italian Sign Language (LIS). Unlike spoken language research on this topic, this study includes monomorphemic signs, offering a broader perspective on the phenomenon. The research explores how LIS idioms convey meaning through the visual-manual modality: the central proposal is that iconic features aid in the literal interpretation of signs, whereas arbitrary features facilitate the comprehension of idiomatic or figurative meanings – emphasizing the inherently simultaneous and visual-spatial nature of sign language expression.
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Pietro Rigo (2025) studied this question.
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