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Russia uses performance to project strength abroad and sustain legitimacy at home. This article analyses how the state stages media events, rituals and official narratives to construct power beyond its material capacity. Drawing on Bourdieu, Scott, Foucault, Ringmar, and Weber, it examines military parades, Putin’s speeches, state media coverage of the war in Ukraine, narratives of NATO encirclement, and the choreographed 2014 annexation of the Crimea. These performances create what Stoner calls a “myth of authoritarian competence”. Internationally, they signal great power status; domestically, they foster unity and normalise authority. Yet, economic strain and military setbacks expose this performative power’s fragility.
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Ana Jović-Lazić (2026) studied this question.
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