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This article applies polymedia theory to music and everyday life, with particular attention to musical engagement within families and the home, and to commuting and workspace environments. We focus on three issues: the role of music polymedia in managing multiscreen, intergenerational households, including their use as remote offices; listening practices while traveling and commuting as extensions of the home, and the influence of work schedules on musical experience; and the adoption of streaming in workspaces and the blurring of boundaries between home and work, and between professional and personal engagements with music.
Valverde et al. (Mon,) studied this question.