This study ethnographically identifies and examines a common-sense performer metaphor entangled within deep-rooted Western ecocultural conceptions, in which humans are perceived as separate from and audience to a spectacular nature. I illustrate the cultural cohesiveness of the performer metaphor in a Western nature tourism setting to draw attention to the term's pervasiveness, its network of metaphoric entailments, and its generally unreflected upon meaning and reverberations. I examine struggles in using alternative metaphors and demonstrate ways the performer metaphor mediates processes of involvement with/in nature.
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Tema Milstein (2015) studied this question.
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