How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 45

Research Article| July 01 1998 How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 45 Daniel Beller-McKenna Daniel Beller-McKenna Search for other works by this author on: This Site PubMed Google Scholar 19th-Century Music (1998) 22 (1): 3–19. https://doi.org/10.2307/746789 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Daniel Beller-McKenna; How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 45. 19th-Century Music 1 July 1998; 22 (1): 3–19. doi: https://doi.org/10.2307/746789 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Content19th-Century Music Search This content is only available via PDF.