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In 1988, a year before the greatest urban mass protest in modern Chinese history, three major events took place in the cultural, ideological and theoretical realms. One was the broadcasting of the TV series River Elegy ( Heshang ) in June and the extensive discussions and disputes about it in July and August. The second was the controversy over the political theory of Neo-Authoritarianism, which started in the second half of 1988 and reached a peak in early 1989. The third event was the so-called Shekou Storm ( Shekou fengbo ) that began in February 1988 and lasted more than eight months. While River Elegy was the high tide of cultural reflection ( wenhua fansi ) which aimed at examining the cultural and historical roots of current socio-political problems, the Neo-Authoritarianism was a theoretical trend among some young social scientists and members of Communist Party General Secretary Zhao Ziyang's think-tanks who were struggling to address pressing issues arising from the reform. The significance of these two events has been realized by many people studying the evolution of Chinese society in the 1980s and the background of the 1989 movement. In contrast, the Shekou Storm, which made an equivalent sensation throughout the country, has received much less attention.
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Luo Xu (1995) studied this question.
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