This article explores a collaborative, community-based project that fuses both arts-based feminist and visual sociological perspectives through a collaboration with five women in leadership roles in a drug user union, Vancouver Area Network of Drug Users (VANDU). VANDU is situated in the Downtown Eastside of Vancouver, British Columbia, in Canada’s poorest urban neighbourhood. Through writing, photography and collage-making, participants in this study resisted dominant representations of women who use criminalised drugs by focusing on activism, family, friends and the spaces they live and work in. This paper contributes to a growing body of critical and feminist scholarship interested in using creative and visual methodologies and collaborative community artworks as tools for developing alternate perspectives about the lives of marginalised women.
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Jade Boyd (2017) studied this question.
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