AbstractThis essay explores current research by the authors into dance in interactive mediated spaces. This text seeks to articulate the thematics underlying the creative thinking in the work and the technical and methodological aspects of how it is being developed and realiszed. This research develops out of previous collaborations between Sue Hawksley and Simon Biggs involving dance performance and interactive visual art, as well as other collaborations between Biggs and, variously, Sarah Rubidge, Stuart Jones and Stephen Petronio.1 The work discussed here is part of a longer term project developing a range of specific interactive real-time authoring systems for use in performance and interactive installation works.
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Hawksley et al. (2006) studied this question.
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