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This paper explores the impact of COVID-19 on a planned physical exhibition – Prize Books and Politics: Rethinking Working-Class Life in Edwardian Britain – and the experience of transforming it into a digital exhibition through the platform of Instagram. Using feedback from visitors in the form of likes, comments and surveys, I reflect on the exhibition in terms of its scope, content, visitor experience and overall success. I also outline the various potentials, constraints and opportunities of Instagram as an exhibition space and put forward recommendations on how it can be used to best advantage not as a replacement for physical exhibitions, but rather as a complement that can attract new audiences, capture real-time feedback and, thus, add multiple voices and stories to museum objects.
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Lauren Alex O’Hagan (2021) studied this question.
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