Describes coincidences in artistic preparations and materials used by Raphael and Leonardo, suggesting shared influences.
The sixth installment counts coincidences. Raphael's battle scene descends from Leonardo's design; beneath it lie the same two materials the Battle of Anghiari purchase records carry; and in the winter of 1518 to 1519 Raphael prepared for his cavalry battle exactly as Leonardo had prepared for his, months of perspective study that a duke's agent complained about in the same terms a marchioness's agent had used of Leonardo eighteen years earlier. Three matches, in three kinds of record that cannot contaminate each other, a drawing, a ledger, a letter. Eight itemized observations follow, and a choice: independent invention must explain away all eight, while transmission requires only that two artists were in the same place at the same time. That one thing is documented.
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Dave Yoder (2026) studied this question.
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