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This paper identifies a growing trend in contemporary craft practice which involves outsourcing handmade processes to artisans in poorer countries. To evaluate this process, it reviews three case studies: Sara Thorns Worldwide Weave in India, Polly&Me in Pakistan, and Martina Dempf in Rwanda. Each enables different levels of creative collaboration with traditional artisans. While a critical framework is able to be established, there is still a lack of information that comes directly from the artisans themselves.
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Kevin Murray (2012) studied this question.
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