The Stalags, an Israeli pulp fiction series whose advent coincided with the 1961 trial of Adolf Eichmann in Jerusalem, portrayed sadomasochistic scenarios between SS female guards and Allied soldiers in POW camps. Written in Hebrew by native Israelis, these cheap pocketbooks were enormously popular with Israeli teenagers, many of whom were children of Holocaust survivors. We posit the Stalags (a) as a fictional counterpart of the trial, complementing the legal procedure with feats of the imagination, and (b) as a text upon which the Israeli young generation negotiated issues of power and identity.
No takes yet. Share an insight, caveat, or question.
Pinchevski et al. (2007) studied this question.
Synapse has enriched one closely related paper. Consider it for comparative context: