In this article I question the assumption that all place-names in the Mu T'ien-tzu chuan refer to real places. I suggest instead a mythic origin for many of these seemingly referential elements. By analyzing a complex of myths either referred to or alluded to in the text, I show that several crucial place-names come in fact from cosmological referents rather than geographical ones. The Mu T'ien-tzu chuan cannot then be read purely as a historical account. I extend this argument by revealing how the elements of cosmological myth in the narrative must themselves be read as elements of symbolic discourse; that is, they have to be read within an astronomical context as references to celestial phenomena. By reading the cosmological and astronomical discourses of the myths together, I demonstrate the literary significance of the Mu T'ien-tzu chuan, a significance which to date has been obscured by misreadings of its historicity. Finally, I argue that only by reading the Mu T'ien-tzu chuan as a literary fiction can one understand what it tells us about how notions of political legitimacy were constructed and then altered in the representation of King Mu's (fictional) journey. The narrative is thus revealed to be a wholly symbolic tale whose interpretation has implications for the wider realm of the interconnections among history, literature and culture.
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Deborah Lynn Porter (1993) studied this question.
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