Starting from a behind‐the‐scenes tour preceding the opening of the recent Getty exhibition Icons from Sinai, this article seeks to destabilize traditional notions of sacred space as a territorially fixed entity defined through a binary opposition to the profane. Icons and other ‘travelling’ sacred objects are regarded as vehicles for the circulation and displacement of holy places outside of their physical boundaries and for the reconfiguration of sacred space in new, hybrid forms. The paper thus suggests a reconceptualization of sacred space in relational terms, as the product of human and non‐human interactions and networked flows, and of ‘sacred places’ as ‘reassuring anchors’ (both territorial and imaginative) within a world of fluid global networks.
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Veronica della Dora (2009) studied this question.
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