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Comparative study evaluates non-invasive imaging techniques in cultural heritage, suggesting innovative analysis methods.
Cultural heritage artworks are complex heterogeneous objects, often with intricate stratigraphies. The study of such intricate strata traditionally relies on invasive cross-sectional analyses involving microsampling. These destructive approaches, nevertheless, raise conservation concerns and should be minimized. Nonetheless, and although a growing demand for mobile non-invasive methods exists in heritage science, few are able to directly and non-destructively analyze thin superimposed layers. Two X-ray Fluorescence (XRF) techniques may prove vital to solve this: Confocal XRF (CXRF), and Angle-Resolved XRF (AR-XRF). While CXRF has proven highly effective for the study of museum paintings and cave art, AR-XRF remains less explored in heritage studies. Here, we present a first comparative evaluation of both non-invasive approaches for cultural heritage using high-performance mobile instruments recently developed at the XRAYLab in Catania. The CXRF scanner provides vacuum-free, low-powered, fast 3D mapping capabilities (dwell times as low as 200 ms; 8.8 µm (FWHM) confocal depth resolution at Zr Kα), while also supporting 2D micro-XRF scanning. The compact AR-XRF vacuum-free instrument, equipped with a low-power monochromatic source, has been designed for portability and versatility (supports GI-XRF, AR-XRF, GE-XRF, and TXRF) and offers sub-ppm detection limits for surface elements. Both devices are compared here on thin-film metallic standards, paint-stratigraphy mock-ups, and real artwork stratigraphies, showcasing their complementarity, highlighting their respective capabilities, and demonstrating their power for future revolutionary heritage studies.
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Tapia et al. (2026) studied this question.
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