City of the Spectacle: White Night Melbourne and the politics of public space

Public policy frequently is utilised as a medium to facilitate or restrict access to public space, and to privilege economic priorities. In this context urban arts festivals are used as a means to generate dominant narratives of place and use of public space. Urban arts festivals generate spaces of spectacle and wonder, and are often used as marketing strategies to revitalise urban economies and differentiate cities one from another on the global stage, engendering a commodification of place. The present paper explores this tension through an examination of the role of urban arts festivals in spatial politics. White Night Melbourne is the first Australian iteration of the Nuit Blanche International, an international network of all-night arts festivals. It is used as a case study to explore the impact of an urban arts festival on the spatial politics of Melbourne. A theoretical basis is established using the frame of Guy Debord's ([1967] 1994) The Society of the Spectacle, as well as the concepts of ‘assemblage’ and ‘expressivity’.