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This article is particularly concerned with the interrelation between experience and expression, womanhood and creativity. It examines the extent to which Sylvia Plath's and Zhai Yongming's writings are informed by political, social, economic, and environmental changes in a cross-cultural context. In so doing, it reveals a somewhat hidden ecofeminist awareness shared by the two poets in a cross-cultural context, which facilitates authorial reflections on the intricate relationship between womanhood, nature, and urbanization. Gendered images and symbols, as well as physical and spiritual scars experienced by womanhood, are emphatically addressed to showcase Plath and Zhai's ecologically informed confessional poetics.
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Xiaohong Zhang (2018) studied this question.
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