In the northern highlands of Vietnam, a very specific official vision of culture is at the core of the modernisation projects of Vietnam Television VTV5 (Đài Truyền hình Việt Nam), a channel dedicated to educating ethnic minorities, and of the Lào Cai provincial branch of the Ministry of Culture, Sports and Tourism (MCST, Bộ Văn hóa, Thể thao và Du lịch). These two state institutions jointly organise film screenings – for instance condemning the production and consumption of opium and heroin – in remote villages where they intend to modify cultural practices. These state social actors also produce films that represent what are deemed exemplary minority traditions for public consumption. Our observations of these media processes lead us to suggest that the subjects of these exogenous initiatives are adjusting strategically, activating patterns of quiet resistance to maintain their identities and subvert marginalisation.
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Messier et al. (2012) studied this question.
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