… as for her figure, and she was admirably built, it was impossible to make out its continuity (on account of the fashion then prevailing, and in spite of her being one of the best-dressed women in Paris), for the corset, jutting forwards in an arch, as though over an imaginary stomach, and ending in a sharp point, beneath which bulged out the balloon of her double skirts, gave a woman, that year, the appearance of being composed of different sections badly fitted together.
No takes yet. Share an insight, caveat, or question.
Patrizia Calefato (1988) studied this question.
Synapse has enriched 5 related papers. Consider them for comparative context: