Cervantine criticism is divided on the question whether El curioso impertinente is relevant to the total context of Don Quixote. Américo Castro, writing in 1925, compiled a list—which he declared to be “not exhaustive”—of six critics who were opposed to the interpolation of the short story, and five who welcomed its inclusion. He himself created a tie by accepting El curioso impertinente as a further exemplification of the theme of error and its consequences; the tale, that is, was seen to reinforce the thematic structure of Don Quixote as Castro then interpreted it. Since the making of this classic summary of opinion a stalemate has reigned; no significant contribution to our understanding of the problem has been made. Some random examples from later commentators will establish this point.
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Bruce W. Wardropper (1957) studied this question.