What does this research mean for the field?

Linguistic devices such as repetition, parallelism, and metaphorization organize poetic imagery into distinct cultural tendencies, specifically a collective-cosmic tendency in Central Asian Turkic, a mystical-contemplative tendency in Turkish ashik, and an individual-anthropocentric tendency in medieval Occitan traditions. Novelty: ClaimNovelty.INCREMENTAL. Consensus alignment: ConsensusAlignment.NEUTRAL.

What question did this study set out to answer?

Identify how specific linguistic devices participate in the formation of poetic imagery across Kazakh, Kyrgyz, Turkish, and medieval Occitan storytelling traditions.

August 23, 2026The International Journal of Communication and Linguistic StudiesOpen Access

Linguistic Features of the Formation of Imagery in the Poetry of Storytellers

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Authors

KKKunimzhan Kudaibergenova ZBZhanat Botabayeva ГОГүлзира Оралова

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Overview

Qualitative comparative analysis reveals distinct linguistic devices shaping imagery across Turkic and Occitan poetry, highlighting divergent cultural and cognitive storytelling frameworks.

Key Points

Identify how specific linguistic devices participate in the formation of poetic imagery across Kazakh, Kyrgyz, Turkish, and medieval Occitan storytelling traditions.
Conducted a qualitative multistage analysis using primary poetic texts, audiovisual performances, and secondary contextual materials.
Performed operational coding of lexico-semantic, syntactic, and pragmatic–performative features followed by cross-cultural comparative evaluation.
Central Asian Turkic material demonstrated a collective–cosmic tendency organized through repeated land–people and sky–earth imagery.
Turkish ashik poetry displayed a mystical–contemplative tendency shaped by recurrent spiritual lexemes and syntactic economy.
Medieval Occitan poetry showed an individual–anthropocentric tendency driven by pronouns, affective natural imagery, inversion, and sound organization.

Cite This Study

Kudaibergenova et al. (2026) studied this question.

synapsesocial.com/papers/6a8aae007677a341144469b2 https://doi.org/10.18848/2327-7882/cgp/a262

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August 23, 2026The International Journal of Communication and Linguistic StudiesOpen Access

Linguistic Features of the Formation of Imagery in the Poetry of Storytellers

View Full Paper

Ask AI

Bookmark

Authors

KKKunimzhan Kudaibergenova ZBZhanat Botabayeva ГОГүлзира Оралова

Discussion

Member takes

Overview

Qualitative comparative analysis reveals distinct linguistic devices shaping imagery across Turkic and Occitan poetry, highlighting divergent cultural and cognitive storytelling frameworks.

Key Points

Identify how specific linguistic devices participate in the formation of poetic imagery across Kazakh, Kyrgyz, Turkish, and medieval Occitan storytelling traditions.
Conducted a qualitative multistage analysis using primary poetic texts, audiovisual performances, and secondary contextual materials.
Performed operational coding of lexico-semantic, syntactic, and pragmatic–performative features followed by cross-cultural comparative evaluation.
Central Asian Turkic material demonstrated a collective–cosmic tendency organized through repeated land–people and sky–earth imagery.
Turkish ashik poetry displayed a mystical–contemplative tendency shaped by recurrent spiritual lexemes and syntactic economy.
Medieval Occitan poetry showed an individual–anthropocentric tendency driven by pronouns, affective natural imagery, inversion, and sound organization.

Cite This Study

Kudaibergenova et al. (2026) studied this question.

synapsesocial.com/papers/6a8aae007677a341144469b2 https://doi.org/10.18848/2327-7882/cgp/a262

View Full Paper

Ask AI

Bookmark