This article explores the word “khaki” in various contexts, focusing on its etymological association with dust. It is not a technical textile history, though elements of process, production, and consumption are discussed as critical to the formation of what khaki means. The article emphasizes the associative power of khaki—in production, in use, and on disposal and dispersal—from the late nineteenth century to the Second World War and in a variety of European and international contexts. Focusing on ideas of the particle and processes of fragmentation, it is a teasing out of what might be described as khaki's poetics.
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Catherine Moriarty (2010) studied this question.