Although the evidence is limited, examples of professional female poets who composed public songs for their communities, commissioned by wealthy families and women patrons, suggest that female performance activated the same economic dynamics as the work of male poets in relation to their patrons. Thus, women contributed to the economic life of their communities through their poetic voices, and were able to express their views on social, political and economic matters.
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Cecilia Nobili (2025) studied this question.
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