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August 29, 2026European Journal of English Studies

The unlocked vitrine: counter- Wunderkammer and the ethics of collecting in The Hare with Amber Eyes

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Authors

EÖEzgi Gizem Özcan

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Overview

Critical analysis demonstrates how de Waal reframes aristocratic collecting into an intimate practice of mourning and care, highlighting collections as archives of displacement and survival.

Key Points

  • To examine how Edmund de Waal’s memoir repurposes the cabinet of curiosities tradition to transform collecting from an aristocratic display of dominion into an ethical practice of mourning.
  • Textual and historical analysis of Edmund de Waal’s memoir The Hare with Amber Eyes (2010).
  • Critical examination of Charles Ephrussi's nineteenth-century netsuke acquisitions through theories of class aspiration, exoticism, and artisanal labor.
  • De Waal reframes the collecting tradition away from imperial spectacle toward tactile intimacy, embodied memory, and the restored presence of artisanal makers.
  • The reopened vitrine functions as a counter-Wunderkammer, establishing an archive centered on displacement, trauma, and survival rather than conquest and ownership.

Cite This Study

Ezgi Gizem Özcan (2026) studied this question.

synapsesocial.com/papers/6a9299958e5d7d1fc0c11a05https://doi.org/10.1080/13825577.2026.2720472
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