⌘+K

Pulse Explore Communities Researchers Journals

Home Communities Explore

April 1, 1981Music Theory Spectrum

The Color of Sound: A Theoretical Study in Musical Timbre

View at Publisher

Ask AI

Bookmark

Share

Abstract

Wayne Slawson; The Color of Sound: A Theoretical Study in Musical Timbre, Music Theory Spectrum, Volume 3, Issue 1, 1 March 1981, Pages 132–141, https://doi.org

Discussion

No takes yet. Share an insight, caveat, or question.

Cite This Study

Wayne Slawson (1981) studied this question.

synapsesocial.com/papers/6a96f0c623945b2448824733 https://doi.org/10.2307/746139

View at Publisher

Ask AI

Bookmark

Share

Keep reading

Synapse has enriched 5 related papers. Consider them for comparative context:

1Timbre discrimination in musical patternsOriginal Research · 1978 · 70 citations
2A Phase Principle for Complex-Frequency Analysis and Its Implications in Auditory TheoryOriginal Research · 1952 · 35 citations
3Vowel Quality and Musical Timbre as Functions of Spectrum Envelope and Fundamental FrequencyOriginal Research · 1968 · 100 citations
4Interpreting Vocal TimbreMusic Theory Spectrum · Tue,
5Rotation- and Inversion-Based Arrays as Reflections of Harmonic Conceptions in Boulez’s Compositional PracticeMusic Theory Spectrum · Thu,

More from Music Theory Spectrum

How Sign Language Analyzes Musical FormSat,
Texture as Form in Lili Boulanger’s Clairières dans le cielMon,
“Chords of Inquiry”: Alternate Guitar Tunings, Harmony, and Text-Music Relations in Joni Mitchell’s Early SongsSat,
Re-imagining Bach in Hans van Manen’s ChoreographiesThu,
Mozart’s Operatic CadenceWed,