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This article looks again at the dynamics of reading, writing and telling stories. It argues that working collaboratively can motivate writers in ways which encourage them to redraft their work purposefully and explicitly in pursuit of particular creative effects. It exemplifies ways in which knowledge about language at word, sentence and whole text level can effectively be brought to bear as part of a holistic approach to writing.
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Gabrielle Cliff Hodges (2002) studied this question.
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